A medieval fantasy castle map I drew using the same techniques described in these tutorials:
I added a side view to this map, mainly because I think top-down maps of large structures can be a bit hard to interpret. The side view is also a useful tool for the dungeon master to show the players when describing the scene.
I decided to merge two of my previous dungeon maps – the Arcane Chambers and Svart Grift tomb. I also took the opportunity to add some illustrations to set the scene for whatever adventures awaits in this dark place.
These maps work well together, as they are both leaning quite heavily towards dark fantasy, somewhat bordering horror. This asset should work well for OSR-games like Lamentations of the Flame Princess or D&D campaigns set in a grim world.
I hope you enjoy the result!
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A place where cosmic insanity becomes reality, where the stars whisper, and horrible secrets are just itching to be revealed.
Magic, sorcery and witchcraft is at best frowned upon, but will more likely earn you a death sentence. None but the most power hungry or insane (or both) will tap into what lures beyond the veil of reality, and those who do keep it a secret in hidden chambers and deep dungeons. This is an example of such a place, where a mad sorcerer studies the cosmos and beyond.
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I wasn’t going to write anything about this drawing, but I had to, as the word “flänsklubba” (the old Swedish word for this type of mace) doesn’t return any decent results on Google. There are two Swedish words for this type of weapon, actually, and they’re both really cool:
- Flänsklubba translates into “flanged club”
- “Hjälmkrossare” translates into “helmet crusher”
In any case, I don’t draw a lot of characters, but it’s something I would like to get better at, so I just recently started practising it. This fellow is supposed to be some type of grizzled mercenary veteran. You could use him as a hireling or NPC in your games. I hope you enjoy the drawing!
“Svart Grift” is Swedish, and means “Black Grave”. This map pictures an ancient burial tomb filled with secrets, traps and probably a few restless dead. I hope you will enjoy it – I’m sure your player’s wont! 🙂
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Of all the tropes of fantasy, the Underdark of Dungeons & Dragons campaign setting Forgotten Realms is probably one of my favorites. It is a concept I often borrow for my own world building.
My own, loosly defined, fantasy world has an extensive underdark filled with both wonder and horror – a world beneath the world, usually referred to as “The Underside”. While large parts of the Underside is a pitch black, mostly lifeless labyrinthine wasteland, there exists also beacons of life and (to some degree) civilization. It is a vast, dark cosmos in which subterranean societies thrive beneath the feet of an unsuspecting world.
To the people of the above, this place is alien and terrifying and very dangerous.
The underside of the world has it’s own sprawling network of connections, much like the roads of the “surface”. Tunnels stretch for thousands of miles, and are used for trade and travel between the different creatures and settlements of the inky blackness.
One such “road” is the endless tunnels of the Stygian Trail, and to use it means paying tribute to whoever currently occupies the ancient toll houses. It is contested territory – bitter wars and countless skirmishes has been fought over the Stygian Trail and its fortified tollhouses. This map shows one of those toll houses, with enough room to house a small band of humanoid guards and plenty of storage for tribute.
Getting past the small fortress will not be cheap, and the toll master might not settle with gold coins – there are more valuable resources in the dark.
Click here for a full sized-version of the image.
Oh, and if I’ve inspired you to run underdark adventures of your own, make sure you pick up a copy of Veins of the Earth by Patrick Stuart – it’s by far the best module I’ve ever read on the subject!
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A small map I made with dungeon masters in mind. It should be quite easy to fit into any typical fantasy/horror dungeon! Feel free to download it for personal use, to spice up your next adventure.
The MURDER HOUSE consists of a Prison Wing, where the Sacrificer keeps his unfortunate prisoners, and a Murder Wing where they are offered as sacrifice to the dark lord.
I’m working on a project describing a cult of snake worshipping knights – the Ordo Vipera. Thought I’d share the map of their chapter house, should anyone want to use it for their own campaign in the meantime. There’s much love and labour behind the map, so I hope you’ll enjoy it!
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This is (one of the levels of) the underground chapter house of the Ordo Vipera – the Knights Viper. The Knights Viper are one of several knightly orders in my world, and quite likely the one that is viewed upon with most suspicion.
While not necessarily “evil”, the Knights Viper are secretive, non-transparent (more so than other orders) and has many hidden agendas. They rarely intervene openly with politics or the general struggle for power but tend instead to keep a watchful eye from the shadows. They do not have the martial striking capacity of some of the other knightly orders, but knowledge is power, and they use it well. The serpent knights know secrets that could potentially topple kings and queens should they be revealed.
Snakes, especially vipers, are revered by the Ordo Vipera. The inner sanctum of the chapter house is the lair of a large female viper referred to simply as “mother”. Mother is very old and very intelligent. She whispers advice to the knight-brothers, and her offspring forms tight bonds with them. Mother shares her venom with the knights, and they are considered to be the most proficient alchemists in the realm (some would rather call them poisoners, but that is not the full truth).
At any given time there are nine brothers of the Knights Viper (each filling a specific role, such as Master Librarian, Keeper of the arms, Apothecary, etc.) and nine squire-acolytes. Ruling them is the chapter master – the Lord of Scales. The order commands a host of two hundred men-at-arms.
A vertical map of a deep space radio relay beacon. I’m working on “Termination Shock” – a mini campaign/setting for OSR games, where we set off in the solar system, exploring planets and asteroids in the wake of a cosmic storm that took out most of our space-faring technology. These radio beacons will be highly important in the setting, as described here:
“For the last hundred years or so, cosmic phenomenons, radiation fields and electrical storms has increased in our system, and it has made communication over vast distances much harder than it used to be. We now rely heavily on a network of radio relay satellites to facilitate transmissions between planets, stations and ships. Bandwidth is low. We cannot submit video, and images arrive distorted. Since the cosmic storm, all of these satellites needs to be repaired.”
I intentionally wanted adventuring in space to be a quite scary, silent and isolated activity, hence the above setup. I don’t want Earth to be just a call away. Phoning home should be hard, and establishing contact with other ships or planetary outposts should feel like an accomplishment.
Deep in the Kuiper belt – the great asteroid field of the outer solar system, the Kuiper’s Cantina bar and diner can be found. A popular place for starship crews to rest, drink and stock-up on goods, Kuiper’s Cantina is well-known among all space-farers and astronaut adventurers.
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